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STUDY TOUR OF JAPAN FOR EUROPEAN YOUTH 2009 [Concurso
de Ensaios]
Testemunho de Inês Matos, participante do
programa deste ano
As a Portuguese student of overseas art history I had some
notions about Japan, but only about the ancient and almost
mythological Japan before Edo. As so, my most profound
impression concern the modern and technological Japan and how
it’s very well blend with that old and traditional one. This
program gave me the opportunity that I’ll probably never have,
or at least not so soon, to go there and experience a little bit
of everything, from the lectures to the guided tours, from the
theatre to the machine-games, etc. The selection of pictures
that I comment below may give a glimpse on that incredible gift
that such a journey allow to expect: living Japan.
From the beginning…
Everything must begin with an encounter and this was the case. I
must say that the encounter itself is an occasion to celebration
and that’s followed by the staff, guides, and almost all
Japanese people I get the chance to know. In such a positive
psychological environment it’s easier to break the frontier of
language difficulties and cultural differences, and even between
the European youth the conversation and mutual interest grew
during the days. The program per se is an example of exquisite
good taste and heavy thinking about schedule. But all the
running is the condition to see that much. The lectures were
selectively chosen to foragers in the sense of allowing getting
to the subject with almost no previous knowledge without
compromising the true adding of information. For my account this
is the area of the program in witch I learnt more, but I must
say it’s not the most fun one.
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My favourite workshop was Ikebana, and I’m almost sure
it’s the same for many others. The surprise of trying
something and-made right after a short lesson and
getting to a final result (almost) beautiful is
fulfilling and relaxing as I can never imagine it would
be.
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One
of the best things about this program is the food - at
least that was my impression. I already knew Japanese
food and I loved to try the real one. The picture show
how everyone keeps taking photos on the dishes, witch
caused wonder by their aesthetic.
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Other important point is
the possibility to go on our own initiative to some
spots of tourist interest, as long the time to do it
didn’t compromise the collective schedule. And that’s
easy to do in the early morning or at night. I invest
one of those mornings on the fish market to see the tuna
being sold to the best price. This real-live experience
on the market is something to remain in my memory for a
long time. |
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At the xinto shrines
sometimes it’s possible to see marriages and that’s also
very impressive. The cultural manifestations expand my
attention completely and probably because of that
anthropological inclination of mine some of the things
that I treasured the most were about small things: the
movement of the cleaning rites before entering the
shrine, the way all the pine trees are artistically
altered to some balanced harmony effect, the sound of
running water and the smell of green tea that gets even
into the clothes.
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In the free time of the program the guides sometimes go
with us or at least explain everything in order to get
there safe and easily. Of course I was almost flying in
face of visiting the National Art Museum and about to
see the treasures of Japanese and oriental art.
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But other kind of visits, like the one to Panasonic
Centre, presents us the unlimited imagination of
technological advances and entertainment possibilities.
The area around the centre continues the spirit of
science-fiction getting real.
This is a program so complete that each day seems to
last for many days, in the sense of having a lot of
different high moments. In the morning, when going to
central Tokyo to MOFA (taking lectures), I can see
myself surrounded by the traffic and people, the
children going to school and business-man entering the
tallest buildings I could imagine and I thought “This is
real, I’m in Tokyo”. But after lunch we often get the
chance to assist more traditional occupations: tea
ceremony, origami, painting glass bells, etc, and that’s
the kind of feeling of being five centuries ago in some
silent zen garden. |
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Other activities were full of energy, like the show from
one local community that devote themselves to play the
japanese traditional drums. Besides being really good
performers they are also the best humoured people and
put together a wonderful evening. |
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Hiroshima was entirely different. The home-stay program
itself surrounds us with the great hospitality of
Japanese people. In my case the host family was a lady
that lived alone and speaks English very well, so there
were no communication problems. She prepared one day
tour to the mountain shine near the city, I tasted the
local hoister dish, and slept in a futon in the tatami
floor.
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Visiting the Peace Memorial was emotive and a little
throbbing, witch is to be expected in such a place. But
that’s exactly what is important, although is seems a
paradox, learning about painful events and this kind of
human tragedy makes us more aware of today issues and
force us to thing about how important peace, freedom and
safety are. |
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Once in Kyoto, an as a art historian, I had the time of
my live seeing all those temples, shrines, old streets
and even real geishas. The program didn’t change because
of the rain and wind and fortunately we have the time to
do this part of the tour before the typhoon arrives.
Gardens captured my attention, not just because they are
so beautifully kept from centuries ago till now but
because they seem as natural harmonious as the Nature
itself could never be.
We were all sad to leave when the time to say goodbye
came. I could definitely live in Japan, that’s how much
I liked it! Right from the departure gate in the
airport in the way to Portugal I taught about what to do
with all the things I’ve learn and the aspiration to
continue connected to Japan. The first thing that came
to my mind was to start some sort of association, a
independent and volunteer one, that allow people who
liked Japan to talk to each other, promote courses about
some of the traditional hobbies I’ve tried (like
ikebana, origami, drums), language, etiquette, an
others, and also to be a space to discuss about the
relation between Portugal and Japan at a population and
not-institutional level. This idea is essentially
supported by the fact of Portuguese traditional
mentality not being that different from the Japanese one
in some matters as family, work, respect the elders and
so. It will be useful too for the ones wanting to get
more information and change data about recent Japan and
its technology or cultural products (such as karaoke,
manga, animé, etc). Its not something that I could do
alone, of course, and not right now, but I’ll try to now
more about the possibilities to create, support and
implant this type of cultural associations.
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Inês Matos
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topo ]
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